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Urdu Poetry Biography

Source(google.com.pk)

Bano Qudsia (born 1928) is a writer, intellectual, playwright and spiritualist from Pakistan who is regarded among the best Urdu novelists and short story writers of modern times. She is best known for her novel Raja Gidh. She writes for television and stage in both Urdu and Punjabi languages. She is the wife of famous novelist Ashfaq Ahmed. She has written a number of popular television plays.Bano moved with her family to Lahore during the Partition of India. Her father, a landlord with a Bachelor's degree in agriculture, died when Bano was very young. She attended school in Dharamsala in eastern India before moving to Lahore. Her mother, Mrs. Chattah, was an educationalist, and this inspired the young Bano to develop a keen interest in academics, which turned her into a conscientious student. Her marriage to Ashfaq Ahmed consummated the artist in her, though she says she never discussed any of her works with her husband nor has the writer-spouse ever tried to influence her writings. "We work very independently. Writing a book is like bearing a child and you do not share that with anyone. God is your only confidant. It is also like falling in love. You keep it personal and private.As a student, she wrote for college magazines and other journals. Her memories of her days at Kinnaird College in Lahore, from where she graduated, are still quite vivid. She talks of the literary inspiration that was a hallmark at Kinnaird's campuses during those days. Though her stay at Kinnaird went a long way in sharpening her scholarly skills, Bano felt an incessant need to polish her expressions in Urdu, the only language with which she could reach the minds of the people. So in 1951, she completed her M.A. degree in Urdu from the Government College Lahore with distinction.She has authored numerous short stories, novelettes, television and radio plays, and stage plays. Her short stories include Baz Gasht, Amar Bail, Doosra Darwaza and Twajju ki Talib. Of her novels, none has received as much recognition as Raja Gidh which centers around the forbidden truth. The plot buildsaround the symbol of a vulture, a bird of prey, that feeds on dead flesh and carcasses. The moral sought implies that indulgence in the forbidden leads to physical and mental degeneration.Some of her best plays include Tamasil, Hawa key Naam, Seharay and Khaleej. The plight of women and other socio-economic issues have often been the subject of her television serials that have inspired families wherever they have been aired. The Graduate Award for Best Playwright was conferred on Bano in 1986, followed by the same award for three consecutive years from 1988 to 1990. In 1986, she was also given the Taj Award for Best Playwright.Rather critical of the deviation of today's woman from her natural role of mother and home keeper, Bano decries what she terms 'a woman's unsolicited and disoriented escape from responsibility.' Interestingly, though, she blames men for plotting a conspiracy to push women out of the house, her only domain. "And women fall easy prey to this trap. Men of the post-industrialization era gave women a taste of luxurious lifestyles and then instigated them to step out of the house and earn that lifestyle. The woman developed a taste for what she thought was freedom for her, but which actually bonded her as a labourer and a breadwinner."She cites the example of the woman who does the dishes in her home. "This woman is more liberated than your modern women, since she does not suffer from any conflicts of the 'self'. Poverty is all that hurts her and she is not caught in a rat race to prove something to herself or carve out an identity for herself. Her existence is identity enough.Bano also feels that what she calls women's 'strength of softness' has been lost in their struggle to prove themselves equal to men. What women take as their weaknesses are in fact their strengths, she believes.Bano Qudsia planned to co-author a book with her (now late) husband. Her obligations towards her family are much more important for her than her work. "My husband (now late), my three sons and daughter-in-law have all been very kind to me and have always showered their affections on me. So, how can I ever put anything else before them?"Having lived a fulfilling life, which Bano ascribes to the benevolence of those around her, she kept herself busy caring for her husband. She is now working on her present literary undertaking - a novel which she plans to title Dastan Serai, after her home. "I formally started work on this novel in 1992. Prior to this, I had worked on it during the 1950s. The novel is set against the backdrop of Partition and revolvesaround the theme of intention and motivation. It highlights the importance of intention as the key determinant behind every act.

vo bulaaye.n to kyaa tamaashaa ho

ham na jaaye.n to kyaa tamaashaa ho

ye kinaaro.n se khelane vaale

Duub jaaye.n to kyaa tamaashaa ho

bandaa_parvar jo ham pe guzarii hai

ham bataaye.n to kyaa tamaashaa ho

aaj ham bhii terii vafaao.n par

muskuraaye.n to kyaa tamaashaa ho

terii suurat jo ittefaaq se ham

bhuul jaaye.n to kyaa tamaashaa ho

vaqt kii chand sa’ate.n ‘Sagar’

lauT aaye.n to kyaa tamaashaa ho

Poet of the Poems/Ghazal or Nazam:Sagar Siddiqui

Tags: Best Urdu Poetry, Sagar Siddiqui, Sagar Siddiqui Poetry, Sagar Siddiqui Shayari

Wo baten teri wo fasane tere-Abdul Hameed Adam

wo baten teri wo fasane tere

shagufta shagufta bahane tere

bas ek zakhm nazzara hissa mera

baharen teri aashiyane tere

bas ek dag-e-sajda meri qayenat

jabinen teri aastane tere

zamir-e-sadaf mein kiran ka muqam

anokhe anokhe thikane tere

faqiron ka jamaghat ghadi do ghadi

sharaben teri badakhane tere

bahar-o-khizan kam nigahon ke vaham

bure ya bhale sab zamane tere

“adam” bhi hai tera hikayatkadah

kahan tak gaye hain fasane tere

Poet of the Poems/Ghazal or Nazam: Abdul Hameed Adam

Tags: Abdul Hameed Adam, Abdul Hameed Adam Poetry, Abdul Hameed Adam Shayari, Best Urdu Poetry, Shagi

Wo apne chehare mein sau afatab rakhte hain-Hasrat Jaipuri

wo apne chehare mein sau afatab rakhte hain

is liye to wo rukh pe naqab rakhte hain

wo pas baithe to aati hai dilab\ruba khushbu

wo apne hothon pe khilate gulab rakhte hain

har ek varq mein tum hi tum ho jan-e-mahabubi

hum apne dil ke kuch aisi kitab rakhte hain

jahan-e-ishq mein sohani kaheen dikhai de

hum apni aankh mein kitne chenab rakhte hain

Poet of the Poems/Ghazal or Nazam:Hasrat Jaipuri

Tags: Best Urdu Poetry, Hasrat Jaipuri, Hasrat Jaipuri Poetry, Hasrat Jaipuri Shayari

Wo anjuman mein raat badi shan se gaye-Saeed Rahi

wo anjuman mein raat badi shan se gaye

iman cheez kya thi kai jan se gaye

main to chupa hua tha hazaron naqab mein

lekin akele dekh ke pehchan se gaye

wo shama ban ke khud hi akele jala kiya

paravane kal ke raat pareshan se gaye

aaya tera salam na aaya hai khat koi

hum aakhiri safar ke bhi saman se gaye

“rahi” jinhen khuda bhi na samajha saka kabhi

baithe bithaye dekh lo ab man se gaye

Poet of the Poems/Ghazal or Nazam:Saeed Rahi

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Wo aake khwab mein taskin-e-iztirab to de-Mirza Ghalib

wo aake khwab mein taskin-e-iztirab to de

wale mujhe tapish-e-dil majal-e-khwab to de

kare hai qatl lagavat mein tera ro dena

teri tarah koi teg-e-nigah ko aab to de

dikhake jumbish-e-lab hi tamam kar hamako

na de jo bosa to muh se kaheen javab to de

pila de oak se saqi jo hum se nafrat hai

pyala gar nahi deta na de, sharab to de

‘asad’ khushi se mere hath panv phul gae

kaha jo us ne zara mere panv dab to de

poet of the poems/ghazal or nazam:mustafa zaidi

Poet of the Poems/Ghazal or Nazam:Mirza Ghalib

Tags: Best Urdu Poetry, Mirza Ghalib, Mirza Ghalib Poetry, Mirza Ghalib Shairy

wo ahad ahad hi kya jise nibhao bhi-Mustafa Zaidi

wo ahad ahad hi kya jise nibhao bhi

hamare vada-e-ulfat ko bhool jao bhi

bhala kahan ke hum aise guman wale hain

hazar bar hum aayen hamen bulao bhi

bigad chala hai bahut rasm-e-khudkushi ka chalan

darne valo kisi roz kar dikhao bhi

tumhari neend mein dubi hui aankhon ke qasam

hamen ye zid hai ki jago bhi aur jagao bhi

Poet of the Poems/Ghazal or Nazam:Mustafa Zaidi

Tags: Best Urdu Poetry, Mustafa Zaidi, Mustafa Zaidi Poetry, Mustafa Zaidi Shayari

dhundhane us ko chala hun jise pa bhi na sakun -Ameer Minai

us ke hasrat hai jise dil se mita bhi na sakun

dhundhane us ko chala hun jise pa bhi na sakun

dal kar khak mere khoon pe qatil ne kaha

kuch yeh mehandi nahi meri ke mita bhi na sakun

zabt kambakht ne aur aa ke gala ghonta hai

ke use hal sunaun to suna bhi na sakun

us ke pehlu mein jo leja ke sula dun dil ko

neend aisi use aaye ke jaga bhi na sakun

naqsh-e-pa dekh to lun lakh karunga sajade

sar mera arsh nahi hai ki jhuka bhi na sakun

bevafa likhate hain wo apni kalam se mujh ko

ye wo qismat ka likha hai jo mita bhi na sakun

is tarah soye hain sar rakh ke mere zanon par

apni soi hui qismat ko jaga bhi na sakun

Poet of the Poems / Ghazal or Nazam :Ameer Minai

Tags: Ameer minai, Ameer Minai Poetry, Ameer Minai Shayari, Best Urdu Poetry

haye kin ganimon se aa pada hai ran mera -Abdullah Kamaal

us ke jam-e-jam aankhen shisha-e-badan mera

us ke band mutthi mein sara bankpan mera

aao aj hum donon apna apna ghar chun lain

tum tabah-e-dil le lo khitta-e-badan mera

main ne apne chehare pe sab hunar sajaye the

fash kar gaya mujh ko sada pairahan mera

dil bhi kho gaya shayad shahar ke surabon mein

ab meri tarah se hai dard bevatan mera

ek dasht-e-khamoshi ab hmera muqaddar hai

yaad besada teri zakhm bechaman mera

roz apni aankhon ke khwab khoon karta hun

haye kin ganimon se aa pada hai ran mera

magrabi hawa ne phir ye sandesha bheja hai

muntazir tumhara hai khushbuon ka ban mera

Poet of the Poems / Ghazal or Nazam :Abdullah Kamaal